Asked why he thinks that is, Iversen said, “it’s easy to relate to nature.” Maybe especially so in Scandinavia, where the artist said, “we’re spending most half of our life outside.” For many, the need for that sort of connection was intensified by COVID lockdowns and the growing awareness of the fragility of the environment.
Tableau does exterior and interior installations, but most often Iversen speaks to the collective desire to engage with the natural world by bringing the outside in. This means that the flowers are speaking both to their audience and to the architectural space they are occupying. In Copenhagen, these are often tall and white. “Clean lines is a good description for a lot of creativity in Denmark in general,” said Iversen, who in turn uses dyed flowers to create tonal compositions. “We like contrast and we like monochromatic minimalism,” he said.
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